Jane Holzer Is an American art collector and film producer who jump to stardom begun when she became the muse, model and superstar of Andy Warhol’s movies. She's known as Baby Jane or Baby Jane Holzer. Her titles as a film producer include Kiss of the spider woman 1985 and of course a huge collection of Warhol's. The "Around That Time, portfolios are literally a time capsule of style and design from the 1960s-1980s. The images chosen for this portfolio are a who’s who of the tastemakers and influencers from one of the most exciting and innovative periods of the twentieth century. Never before was there a moment quite like this, and never before or since has there been a photographer of such unique talent as Horst P. Horst.”

Around That Time - Jane Holzer, 1969 (Small size)

$5,000.00Price
  • Horst P. Horst

    Around That Time - Elsa Peretti, 1976

    Archival pigment print 

    DIMENSIONS:

    Small
    Image size: 23.6 in. H x 23.6 in. W

    Sheet size: 29.5 in. H x 29.5 in. W
    Edition of 9

    CONTACT US FOR OTHER AVAILABLE SIZES

    Medium 
    Image size: 31.5 in. H x 31.5 in. W
    Sheet size: 39.4 in. H x 39.4 in. W
    Edition of 5 

    Large
    Image size: 50 in. H x 50 in. W
    Sheet size: 50 in. H x 50 in. W
    Edition of 3 

    Extra Large
    Image size: 59.4 in. H x 59.4 in. W
    Sheet size: 59.4 in. H x 59.4 in. W
    Edition of 2

  • Horst P. Horst German-American, 1906-1999 (born Horst Paul Albert Bohrmann) was one of the towering figures of 20th-century fashion photography. Best known for his work with Vogue—who called him “photography’s alchemist”—Horst rose to prominence in Paris in the interwar years, publishing his first work with the magazine in 1931. In the decades that followed, Horst’s experimentations with radical composition, nudity, double exposures, and other avant-garde techniques would produce some of the most iconic fashion images ever, like Mainbocher Corset and Lisa with Harp (both 1939). As The New York Times once described, “Horst tamed the avant-garde to serve fashion.” Though associated most closely with fashion photography, Horst captured portraits of many of the 20th century’s brightest luminaries, dabbling with influences as far-ranging as Surrealism and Romanticism. “I like taking photographs because I like life,” he once said. “And I love photographing people best of all because most of all I love humanity.”

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