Paloma Castello presents to us a nostalgia-filled body of work. The collection represents the soul of her proposal: inherited objects discovered or found that have become the tip of the iceberg of her past. These are elements she collects, recollects and then classifies following a method that frames her anachronic attitude that proves as evidence of the youth of her art. She also demonstrates that the experimentations on herself are common in an artist who’s just beginning her career. Castelloland works with objects whose uniqueness proves to be fundamental to the piece’s narrative in each story because each piece reacts and happens through the word and object interaction.