Not many of us can say we started collecting Art Deco furniture as teenagers. Far fewer can embellish our walls and side tables with Picasso sculptures and paintings by the baker's dozen. Paloma Picasso was born into incredible privilege on all front including the domestic. But perhaps her greatest good fortune was the innate creative talent that allowed her to forge an independent identity, by her own lights, as a designer.

Paloma Picasso Portfolio, 1985

  • Horst P. Horst

    Paloma Picasso Portfolio, 1985

    Ten archival matted pigment prints in an embossed box.


    Image size: 15.7 H x 15.7 W in. 

    Sheet size: 19.7 H x 19.7 W in. 

    Overall wall size composition of the entire portfolio is 40 H x 100 W x 1 D inches.

    The portfolio is an Edition of 10


    Printed under the supervision of the Horst Estate / Courtesy Horst Estate / Condé Nast.

  • Horst P. Horst German-American, 1906-1999 (born Horst Paul Albert Bohrmann) was one of the towering figures of 20th-century fashion photography. Best known for his work with Vogue—who called him “photography’s alchemist”—Horst rose to prominence in Paris in the interwar years, publishing his first work with the magazine in 1931. In the decades that followed, Horst’s experimentations with radical composition, nudity, double exposures, and other avant-garde techniques would produce some of the most iconic fashion images ever, like Mainbocher Corset and Lisa with Harp (both 1939). As The New York Times once described, “Horst tamed the avant-garde to serve fashion.” Though associated most closely with fashion photography, Horst captured portraits of many of the 20th century’s brightest luminaries, dabbling with influences as far-ranging as Surrealism and Romanticism. “I like taking photographs because I like life,” he once said. “And I love photographing people best of all because most of all I love humanity.”


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