Sukan’s photographic work explores the conventions of the modern white cube as both an architectural context and as a content subject in and of itself. By addressing the notions of spatial memory, presentation and representation, this exhibition enhances the confrontation between visibility and invisibility in social and phenomenological terms. By means of deconstruction, intervention and reconstruction of the white cube, Sukan brings complicity between opposites and creates dualism between recognition and non-recognition, visibility and invisibility, abstraction and concrete concepts. The result is an entirely new space, an architecture of past and future, with a continuously shifting viewpoint. Sukan proposes a phenomenal situation, challenging the viewer on the realism of the photograph and the memory of a space, while also opening up the horizons of the viewer’s perception and interpretation of the exhibition's/ their own immediate setting.
Untitled 27 from the series of INtheVISIBLE, 2019
Sukan is a multi-faceted artist who is trained in interior architecture and photography and has tackled ideas that question the limitations of human perception, the borders between the physical and the virtual as well as the visible and the invisible. Sukan’s work positions the artist as a challenging narrator who re-creates an idea or a form that confirms viewer expectations at first glance while undercutting them in practice.