The Art Design Project Art Gallery is pleased to announce its exhibition:
BY THE HAND
Uncover the visceral texture of craftsmanship in BY THE HAND, a virtual viewing room exhibition subverting classical imagery through contemporary collage and multi-media mastery. This collection challenges the eye with heavy amber resins, intricate historical illustrations re-imagined with bold primary geometry, and narrative sketches framed over vintage typography. Rather than traditional paintings, the space thrives on a tactile, layered dialogue between the past and present. A colossal central canvas anchors the room, displaying a sharp, impossible geometric cube floating over a dense, moss-green chaotic background.
Every original artwork highlights the raw, meticulous passion of our gallery’s represented artists, designed to trigger a lasting emotional impact. Navigate this thought-provoking art collection via our interactive virtual viewing room exhibition.
Umbra Series
Fear and insecurity came uninvited to keep me company. Suddenly it became necessary to release the sensations that surrounded me day and night. At times the artist felt as if he were sitting in the darkness of a shadow. But he was not alone, the whole world was with him. Get it out there, his mind told him. And he did. As if he wanted to record time, he made art. Zampol gave freedom so that, upon encountering the surface, the materials would follow their paths. The organic forms that emerged, from a planned chance, were like abstract pieces of a part of him.
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Rodrigo Zampol: Umbra Series
Durero Series
Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other media and to appropriate and dialogue with the works of these artists. This conversation, however, does not start from a solemn, pristine, or untouchable place, but from the recognition of her virtues, thus allowing her to operate, rebuild, eliminate, and retouch fragments to compose her own work. Starting from pre-existing works of hers, Seggiaro builds a kind of mimicry of the original pieces in an exercise of visual reconstruction that she uses as a structure for her production. But the works are just that, states altered by her gaze that resemble, without repeating, the original piece.
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Ana Seggiaro
Aprender a caminar y salir del pozo gravitacional Series
An everyday situation, from our memory, from the memory of childhood in a non-place, that is to say, an enigmatic ephemeral place, a space that is delimited and that grows, that multiplies throughout the world; They are linked to anonymity and independence because they apparently do not exist or mean anything, at least to those people who visit them provisionally; However, using objects that demarcate an unreal space, which is part of fantasy and often goes unnoticed, neither places nor non-places always exist in pure form, they are steps of the same ladder, parallel lines that magically reach intersect, they are opponents who attract and penetrate each other. The pattern plays the role of endlessly rewriting the intricate game of identity and relationship, the mix of cultures, and the rush of its visitors learning to walk and getting out of the gravitational well.
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