Executed as a signed one-of-a-kind masterpiece utilizing acrylic, graphite, oil pastel, and paper transfers directly on tempered wood pegboard, the artwork explores human behavior and social courtship rules with a critical eye and humor. The visual layout structures an intricate multi-layered scene where vintage paper fragments and retro characters are extracted from their natural context to build a pop-surrealist narrative. A prominent black and white female silhouette dominates the main field, customized across her eyes with a raw hand-painted neon pink mask layout and a heavy vertical cascade of dripping white pigment over her torso, while a dapper gentleman sketch wearing a rabbit mask acts as the quiet suitor behind her.
The images come from old magazines, advertising and photo albums collected at thrift stores creating a mixed media artwork. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood.
Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising, and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood.
Acquire this original contemporary mixed-media painting by Roberto Fonfría and enrich your art collection.
Contemporary Mixed Media Painting - La liebre pretendiente, 2013
La liebre pretendiente, 2013
Acrylic, graphite, oil pastel, and paper transferred on tempered wood pegboard
Dimensions: 47.6 H x 48 W in.
One of a kind
Mounted wood pegboard
Roberto Fonfría (1969) born in Caracas, Venezuela, examines questions of consciousness, identity, happiness, humor, boredom, masculinity, money and aging, exposing the centrality of time that belongs to each piece. His collages live on thanks to his curious hands that choose specific pieces of paper, cardboard, thread, photographs and clippings, and are reworked on a surface to construct a different meaning, a new identity, a new narrative. Uniting disciplines as broad as photographic transfers with drawing and writing. His method of creation consists of using images from old magazines, advertisements and photo albums, modifying them and adding references to popular culture, common phrases and reflections from his childhood in Venezuela. Finally he makes “analogical” modifications using practical methods, painting, drawing and writing.















