Part of José Ricardo Contreras’s critically acclaimed Composition with Tools series, this unique physical creation treats the gallery wall as an analytical laboratory, decontextualizing digital editing panels into physical images themselves to highlight their hidden aesthetics. The arrangement tracks an intense graphic rhythm, coordinating a complex mixed media matrix of fluid acrylic fields and precise oil paint gradients over three independent canvas pillars. By balancing technical digital graphics with quirky, playful truisms and subtle humor, this calculated visual strategy successfully converts everyday tech routines into an uncompromised architectural gravity full of sensitive potential and fresh perspectives.
The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras, after long hours using digital editing tools, presents these tools as images themselves, highlighting their hidden aesthetics. This generates associations and similarities, awakening their sensitive potential with a humor parallel to their constant search for new perspectives on everyday life.
Purchase this unique, investment-grade piece of contemporary wall sculpture installation art by José Ricardo Contreras online directly through the The Art Design Project platform.
Contemporary Wall Sculpture Installation - Hue, Saturation and Lightness, 2022
Hue, Saturation and Lightness, Painting wall installations, 2022
From The Composition with Tools series
Acrylic and oil on canvas
Dimensions:
Overall size: 51.1 H x 15.3 W in.
Individual size: 51.1 H x 5.1 W in.
Mounted on a stretcher
José Ricardo Contreras González, a native of Colombia, holds a Master of Arts from the Universidad Industrial in Santander. As a result of his work, he has held solo and group exhibitions in Colombia and Spain. Currently, its process is guided by two investigations that are conducted in parallel. The first reflects on the mechanisms of representation of reality, the images of flow, and their implications, and the second investigates the landscape and migration processes, using the review of domestic archives, literature, and fieldwork as a resource.
