<!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}-->The artwork tracks a profound narrative proving that discarded rusty elements or plastic fragments are not trash. Shifting between abstract minimalism and raw physical construction, her creative sensibility transforms found materials into irreplaceable pieces full of transparency and life where adding color to each section dictates the final volume form. The square layout anchors a powerful perspective structured around a bold color-block environment, balancing a massive, radiant red circular plexiglass shield inside a rugged dark iron ring structure, customized and split down the center by a fluid reflective chrome metal element mimicking a liquid droplet rising effortlessly from an absolute black background field.
For many, rusty materials, pieces of glass, or plastic fragments are not trash that should be thrown away. Finkelman's creative sensibility has made these materials irreplaceable when creating her sculptures.
The artist's three-dimensional wall sculptures are full of transparency thanks to the combination of various materials and discarded objects. Adding color to each piece is essential, but within the aesthetic context that determines the final form.
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Contemporary Wall Sculpture - La Gota Fria, 2022. By Fanny Finkelman Szyller
La Gota Fría, 2022
From the series Assembler
Iron, plexy, chrome
DIMENSIONS: 15.9 H x 15.9 W x 1.5 D in.
Fanny Finkelman's sculptures are the result of a continuing exploration of the many materials that the artist has worked with over the years. The three-dimensional artists' sculptures are full of transparency by the combination of various materials and objects that have been thrown away. Adding color to each piece is essential, but in the aesthetic context that controls the final form. This precious landscape is all the result of the exploration of small pieces of metal intervened with different acids that the artist finished with color pigments and gold dust.
