This breathtaking work of fine art landscape photography serves as a profound conceptual milestone within the highly acclaimed series Nothing Stays Still by international creative partnership Hunter & Gatti. Through this visual exploration, the artists actively interrogate the fashion photography apparatus, shifting their imagery away from its traditional commercial origins to construct an entirely new, fine art identity. The composition frames a dramatic, arched female nude model interacting with the expansive Texas high-desert environment and Donald Judd's iconic, monumental minimalist concrete structures under a vivid, clear blue sky.
Series titled "Nothing Stays Still", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin, as a vehicle for testing ideas and as a form of interrogation of the creative process itself, through this series.
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Fine Art Landscape Photography - Untitled Nude at Marfa, 2016
Untitled Nude at Marfa, 2016
Photographic Paper, Archival Pigment
Dimensions: 17.5 H x 22 W in.
Unframed
This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter.
Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams, Penélope Cruz, Jennifer Lopez, Ewan McGregor, Lalisa Manoban, Adria Arjona, and Bruno Mars, among many others. Yet his focus goes beyond portraiture—what truly interests him is what remains when the image stops being literal and begins to emerge as a living object. His current body of work includes both new pieces and selected artworks from the artistic legacy of Hunter & Gatti, which he now manages. These are duly credited as “ created by Hunter & Gatti,” presented alongside his personal practice and establishing a dialogue between history, transformation, and contemporary gaze. His work has been exhibited in cities such as Barcelona, New York, and Miami, and reflects a visual practice grounded in experience, exploration, and ongoing evolution.

















