Las Máscaras IV develops an open composition in which large rounded forms are distributed and layered across a white ground. Green and pink dominate the surface, accompanied by areas of blue and translucent layers that shift the intensity of color at each intersection. Within several forms, darker vertical and diagonal strokes introduce a gestural dimension that contrasts with the regularity of the surrounding contours. The arrangement creates a visual rhythm between denser clusters and areas of open space. This geometric abstract painting derives its character from the interplay of transparency, repetition, color, and movement, allowing the composition to remain fluid while maintaining a carefully balanced structure.
This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Through repeated organic forms, layered translucent color, and rhythmic patterns of ovals, dots, and lines, Amador evokes the bells, textiles, and dynamic motion of the masqueraders without depicting them literally. The palette-ranging from vivid chromatic bursts to softened whites-recalls the iconic costumes of the celebration. Rooted in geometric abstraction yet shaped by lived cultural experience, Las Máscaras- situates local tradition within a contemporary, Caribbean-centered approach to painting.
Discover Las Máscaras IV and explore its balance of color, transparency, and gesture. Acquire this geometric abstract painting by Juan Carlos Amador online.
Geometric Abstract Painting - Las Máscaras IV, 2023. By Juan Carlos Amador
Las Mascaras IV, 2023
From The Las Mascaras (The masks) Series
Spray paint, acrylic and gel medium on canvas
Dimensions: 66 H x 58 W in.
Unframed
Juan Carlos Amador López is a multimedia artist, born in Mayagüez and raised on the coast of Aguadilla. He has dedicated himself to the visual arts since completing a Bachelor of Fine Arts at the University of Puerto Rico, Río Piedras campus, with his creative emphasis placed on the concept of color. Through his contemporary works, he revisits and reevaluates the Neo-Impressionist pictorial method—also known as Divisionism—characteristic of the late 19th-century movement.
His recent abstractions display a unique style and focus on optical color combinations, ranging from the fragmented application of pure pigmentation to extensive, oval shapes of semi-opaque pigments. Amador superimposes these translucent color patches with the intention of filling the plane with an assortment of hues frozen in a process of transformation. Free from the burden of a specific narrative or message, the meaning of these works depends on the appreciation of each viewer—on their individual and biological capacity to instantly perceive, comprehend, and interpret color introspectively.
Juan Carlos Amador has exhibited his work both within and outside of Puerto Rico, with his most recent exhibition having been on the island of Saint Thomas. His work is also part of important local and international private collections.
