Relying on high-contrast darkroom contact prints, direct material shadow projections, and an intensive circular-to-square layout to map out a timeless spiritual narrative, the artwork masterfully tracks a complex rhythm of galactic memory and spatial gravity. The horizontal orientation anchors a powerful flat perspective across three synchronized panels, using raw rice dust outlines and a luminous stellar dust matrix to turn traditional Chinese folklore concepts into an elegant topographic scenery of pure visual balance and quiet luxury.

The galaxy like silver particles scattered on the giant black circle which floating in the square frame. That is a complexity of artist’s concept formation and culture practicing. In the Chinese folklore, people believe the universe is a circle and the ground are a square (flat). The “galaxy” is the result of the rice being manually grind in the mortar and pestle. With the pass of the time, the form of the rice changed from grain to refined powder. The powder and grain are carefully placed on the photographic paper in the darkroom then exposed to the light to make image. In this process of image making, time is highly involved, physically and conceptually. Time can change lots of things: the shape of the things, the form of the things, but the essential of the things will still be remained. 

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