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This captivating small-scale artwork stands out as a definitive statement in a mixed media fine art piece, masterfully balancing the delicate nature of a paper support with an aggressive, sculptural density of accumulated paint. Veggetti expands his ongoing visual study on national minority inclusion by using a complex layer of oil and fluid acrylic to portray a woman of African descent within Italy’s contemporary social fabric. The composition completely rejects flat portraiture, utilizing dynamic, heavy gray and charcoal brushstrokes to build the facial features on the left, while the right side of the canvas dissolves into a foggy, abstract atmosphere of raw white washes. By turning a raw page into an intense, multi-dimensional conceptual landscape, the artist provides selective contemporary art collectors with a museum-grade investment piece.

 

The Portrait Paintings of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing constant transformation, where the social fabric is constantly changing, minorities emerge as central figures, assuming the role of protagonists in a pictorial narrative that documents a change often overlooked or silently hidden.

 

Introduce an intellectually rigorous and visually texturized masterpiece to your collection; purchase this original mixed media fine art piece by Luigi Christopher Veggetti online.

Mixed Media Fine Art Piece - Portrait #52, 2023. By Luigi Veggetti

$1,200.00Price
  • Luigi Christopher Veggetti

    Portrait #52, 2023

    From the Portraits series

    Oil and acrylic on paper

     

    Dimensions: 11.8 H x 8.2 W in.

     

    Unframed

  • Luigi Christopher Veggetti Kanku is an Afro-Italian painter of Congolese origins. Veggetti has been working on the contemporary art scene for some time. Since 2002 his works have been shown in Italian and foreign galleries. To his credit are collective, personal, private and museum exhibitions and participation in art fairs. His canvases are present in various catalogs including the monograph 30 Tele published by Cairo Mondadori and the volume Forte dei Marmi published by Allemandi. The first recounts his first 10 years of artistic activity, presenting his path from street artist to collaborations with galleries; the second introduces the viewer to the artist's first research into Italian seascapes and landscapes.

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