Investigating spatial tension and light interaction within minimal monochrome abstraction, Soft Form 4 is a compelling individual piece from Bosiljka Zirojević's 2009 Achromatic Velour Paintings series. Stretched across a 32x25 cm deep frame, the composition centers on a sharp, inverted wedge shape carving into the upper portion of the canvas. By treating selected areas of industrial black velour with clear acrylic emulsion, Zirojević manipulates how light interacts with the plush surface, yielding an intricate play between deep light-absorbing blacks and subtle satin surfaces. Functioning seamlessly as a standalone minimalist artwork or as part of a modular polyptych installation, this original achromatic velour artwork comes ready to hang with clean, wrapped edges.
The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just the basis of the painting, but becomes the primary surface of the object - the representation, with certain specificities (soft, smooth, shiny, solid...).
At the same time, the selected material, with minimal interventions, forms the basis of a system of geometric images - shapes that are consciously devoid of color (I use materials that are achromatic) and in such a reduced order of all formal elements, a relationship of rhythmic movements in relation to space is established. The abstract structure of geometric surfaces becomes a game - reflection, which moves from the "formed sign" to the "visual whole".
Discover and purchase this original achromatic velour artwork on our online store today to introduce a bold, light-responsive geometric statement to your space.
Original Achromatic Velour Artwork - Soft Form 4, 2009. By Bosiljka Zirojevic
Soft Form 4, 2009
From Achromatic Velour Paintings series
Acrylic emulsion on industrial black velour fabric
Dimensions:
Size: 12.6 H x 9.8 W x 1.5 D in.
Signed on the back by the artist
She graduated with a B.A. from the Academy of Arts in Novi Sad in 1994, specializing in the Painting Department. She later completed her postgraduate studies (M.A.) in the same department, graduating from the academy in 2000. That same year, she began working at the Academy of Arts in Novi Sad within the Department of Fine and Applied Arts. Currently, she serves as a Professor at the institution.
She has been a member of both the Association of Fine Arts in Vojvodina (ULUV) and the Serbian Association of Fine Arts (ULUS) since 1995. Additionally, she belongs to the art group Multiflex, where she collaborates with fellow artists on multimedia projects. Since 2022, she has also served as a permanent curator at the "Mitar Subotić Suba" Foundation.
Since 1992, she has participated in over 150 group exhibitions regionally and internationally, spanning countries such as Serbia, Poland, Italy, China, Germany, Japan, Switzerland, Great Britain, Austria, and France. Numerous fine arts critics have nominated her in various national artist selections within the contemporary art scene.
Throughout her career, she has held 27 solo exhibitions and received several awards for her work. These honors include the Special Award at the 6th "Salon for the Young Artists" Exhibition (Serbia, 1998) and the Annual Award for the best solo exhibition in the Gallery of the I. M. Kolarac Foundation in Belgrade (Serbia, 2001). That same year, she won an award at the 30th Artistic October Salon in Novi Sad. She went on to win awards at the 10th Exhibition of Drawings (Serbia, 2003) and the "30x30" Exhibition (Serbia, 2009). In 2011, she received the jury award at the 27th International Short Film Festival in Germany with the art group Multiflex, followed by the "Milivoj Nikolajevic" Award (Serbia, 2016).
She has coordinated numerous projects in art and education, while also participating in many international symposiums and conferences. Furthermore, she has served on several faculty and university boards, as well as councils for multiple art galleries.
Her academic work focuses on researching traditional and new visual media, exploring their parallels and intersections. The relationship between internal and external space is her primary field of exploration, where she examines the possibilities of expression and abstraction through diverse disciplines, including art, ecology, urbanism, and visual culture.
