Derivas sobre fondo brings together a series of compositions in which form does not impose itself on space, but rather traverses it. Lines, planes, and marks appear as records of a movement without destination, straining the relationship between surface and gesture. The background does not function as a passive support, but rather as an active field that absorbs, deflects, and shapes each action.
Abstract painting
64, 2026. Abstract painting
64, 2026
From Derivas sobre fondo series (Drift on the background series)
Acrylic on canvas
Dimensions: 33.9 H x 57.5 W x 1 D in.
Mounted on stretcher
Rodrigo Etem was born in 1977 in Mendoza, Argentina, he studied Administration at the Universidad del Aconcagua. He attended workshops with Fabiana Barreda, Esteban Álvarez, Ananké Asseff, Eugenio Echeverría (Spain). He received grants from the Fondo Nacional de las Artes, Fondo Argentino de Desarrollo Cultural, Fondo Provincial de Cultura, Ministerio de Cultura de la Nación. His work surreptitiously investigates and works on concepts that seek to disseminate questions about our daily experience. The artist held solo exhibitions such as: “Hasta encontrar otro amarillo” (Imagen Galería, Mendoza 2018), “Instrucciones para no hacer nada” (Espacio Rivadavia 645, Mendoza 2016), “Probable” (Casa Colmena, Mendoza 2016), “Ser Cosa” (Museo Pumapungo Cuenca, Ecuador 2015), “Ser Cosa” (Museo Antropológico y de Arte Contemporáneo, Guayaquil. Ecuador 2012).He has also participated in numerous group exhibitions. Highlights: “La marca original” (CCK, Buenos Aires 2019), “Poéticas Políticas” (Parque de la Memoria, Buenos Aires 2016), “Dura lex sed lex” (Bienal Sur. Centro Cultural Parque de España, Rosario)
