The breathtaking masterwork stands as a definitive milestone highlighting the structural sophistication and material innovation of ALMO’s acclaimed The Abstraction Experiments Series. This unique acrylic painting on leather intentionally rejects academic supports, deploying a premium Texon Vogue cellulose substrate to explore tactile, skin-like physical depths. The composition features a complex, chaotic choreography of dense diagonal ink-like lines that aggressively overlay the plane in an electric burst of cobalt blues, radiant yellows, and burning oranges. ALMO translates his transcontinental memories and nomadic displacement into an intricate graphic tapestry where every gestural stroke serves as a sign of universal human paths.
Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us.
That abstract painting that embodies the sophisticated ethos of The Art Design Project. This piece seamlessly blends geometric precision with an expressive palette, inviting you to explore its depth and nuances.
Discover this exclusive acrylic painting on leather by ALMO, a highly valuable collector's item, available directly online through The Art Design Project platform.
Acrylic Painting on Leather - Look for the silver lining, 2025. By ALMO
Look for the silver lining, 2025
From The Abstraction Experiments Series
Acriílic paint on cellulose leather (Texon Vogue)
Dimensions: 23.6 H x 19.6 W in.
Unique
Almo, Jorge Alberto Murilo, was born in Honduras, grew up in the Philippines. He lives in Brazil, Salvador, Bahia, since 1999, today he lives in São Paulo. Regarding his academic training, he graduated in Industrial Design, completed in 1997, at the European Institute of Design, Milan, Italy. He has training in Architecture from the University of Florence, Faculty of Architecture and the Milan Polytechnic.

















