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Part of Ying Chen’s critically acclaimed series, this unique physical creation treats the composition space as an analytical laboratory for spatial investigation, examining how small flower cuttings can inspire and channel dreamt memories of distant landscapes. The arrangement tracks an intricate graphic rhythm against an absolute black environmental void, presenting a collection of translucent glass vessels wrapped in a calculated aesthetic friction with raw, hand-torn blue paper fields. By superposing delicate white blossoms with deep ocean-toned paper fragments and adding precise, stitch-like graphic lines that make viewers question whether they see a physical object or a paper-cutting collage, the artist successfully replicates a foggy, oneiric atmosphere filled with illumination and internal strength.

 

Ying Chen has a recurring dream: scenery consisting of cloud filled Sky, fields of grass, and a body of water. In this foggy but colorful dream, the sky is cloudy, yet everything is brightly lit. there is a thick fog blurring her vision she cannot discern whether it is imagined or familiar scenes. The artist wanted to capture in photos how small flower cuttings can inspire/trigger those dreamt memories of landscapes. By composing nature figures into a photo, she wanted to represent how flower cutting can channel those dreamscapes in a photo. Stitch-like lines were added to make a person question if what they are seeing is paper paper-cutting collage, hoping to replicate a dream-like feel through making viewers question the photos.

 

 

Purchase this unique investment-grade piece of fine art still life photography by Ying Chen, online directly through the The Art Design Project platform.

Art Still Life Photography - Untitled #2 There is an ocean in my glass, 2020

$4,000.00Price
  • Ying Chen

    Untitled #2, 2020

    From the series "There is an ocean in my glass"

    Archival Pigment prints

    Limited Edition.

     

    Unframed

  • Ying Chen was born in Tokyo, Japan, to Chinese parents living in Japan. She grew up and spent her early childhood in Japan until the age of seven, then spent her youth in China. Now Chen has graduated from SCAD with her bachelor's degree and is currently enrolled in the SCAD graduate photo department.

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