Inspired by a recurring dream consisting of cloudy skies and a body of water blurred by thick fog, the artwork masterfully relies on studio staging and precise layering to track a complex emotional narrative. The layout anchors a central vertical table arrangement where a dark translucent bottle and delicate botanical stems interact with fragmented paper cutouts featuring bright cloud textures against a solid black backdrop. Meticulous stitch-like lines are layered over the elements to make the viewer question the physical nature of the photograph, successfully replicating a foggy but brightly lit dreamscape environment.
Ying Chen has a recurring dream: scenery consisting of cloud filled Sky, fields of grass, and a body of water. In this foggy but colorful dream, the sky is cloudy, yet everything is brightly lit. there is a thick fog blurring her vision she cannot discern whether it is imagined or familiar scenes. The artist wanted to capture in photos how small flower cuttings can inspire/trigger those dreamt memories of landscapes. By composing nature figures into a photo, she wanted to represent how flower cutting can channel those dreamscapes in a photo. Stitch-like lines were added to make a person question if what they are seeing is paper paper-cutting collage, hoping to replicate a dream-like feel through making viewers question the photos.
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Surreal Photomontage Print - Untitled #7. There is an ocean in my glass, 2020
Untitled #7, 2020
From the series "There is an ocean in my glass"
Archival Pigment prints
Limited Edition.
Unframed
Ying Chen was born in Tokyo, Japan, to Chinese parents living in Japan. She grew up and spent her early childhood in Japan until the age of seven, then spent her youth in China. Now Chen has graduated from SCAD with her bachelor's degree and is currently enrolled in the SCAD graduate photo department.

















