This breathtaking conceptual abstract diptych stands as a monumental artistic statement within the celebrated body of work The Vase Series by international contemporary artist ALMO. Formulated as a two-panel multi-piece installation each sheet is elegantly presented within a custom oval passepartout over premium 450 g paper. The composition establishes a powerful graphic dialogue between two classical vase forms one wrapped in a dense black acrylic matrix of human silhouettes and the other woven with a complex red tapestry of line drawings set against a luminous gold leaf ground. This dual visual field safeguards the artists ongoing exploration of identity displacement and home across different territories.
Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us.
That abstract painting that embodies the sophisticated ethos of The Art Design Project. This piece seamlessly blends geometric precision with an expressive palette, inviting you to explore its depth and nuances.
Secure this investment-grade original conceptual abstract diptych by ALMO and elevate your modern fine art collection with verified global shipping.
Conceptual Abstract Diptych - Receptacle #3 and #2, 2022. By ALMO
Receptacle #3 and #2, Diptych, 2022
From The Vase Series
Acrylic paint and gold leaf on 450 g paper with oval passepartout
Overall size: 16.5 H x 23.6 W in.
Individual size: 16.5 H x 11.8 W in.
Unique
Unframed
Almo, Jorge Alberto Murilo, was born in Honduras, grew up in the Philippines. He lives in Brazil, Salvador, Bahia, since 1999, today he lives in São Paulo. Regarding his academic training, he graduated in Industrial Design, completed in 1997, at the European Institute of Design, Milan, Italy. He has training in Architecture from the University of Florence, Faculty of Architecture and the Milan Polytechnic.

















