Part of Ying Chen’s critically acclaimed Her series, this unique physical creation treats a dual-panel format as an analytical laboratory, gathering vintage black-and-white female portraits to strip them from their original contexts. The structural layout tracks an intense graphic rhythm: the left frame fuses a delicate profile with volumetric pink oyster mushroom layers and coral drapes, while the right panel stages a complex vertical composition featuring sharp black-and-white geometric stripes and deep violet crystal shards covering the subject's gaze. By balancing severe physical fragmentation with natural biomorphic shapes, this calculated visual system maps a unique female image in each frame, successfully communicating a gentle but unyielding presence filled with independent life.
 
This is a photo contemporary collage project based on modern art. Greatly influenced by natural figures and artificial textures. I love to collect black and white photos of female portraits, cutting out the parts and stripping them from the original context, combining them with the abstract design figure, to get a new figurative photography. This project is about 'she', every single piece has a unique female image, and each composition has a different character. Mysterious women are always a very attractive point to me. Ideally, behind every independent female figure, I want the audience to see a gentle but strong female image. Its basic sense is to make her seem to have life, when she smiles or looks up, every move is gentle and beautiful.
 
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