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This magnificent multi-piece sculpture commands attention within modern art platforms, standing out as an exceptional example of contemporary collectible ceramics that bridges the gap between historical pottery traditions and avant-garde literature. The three hand-built porcelain cups present fluid, irregular contours that honor the plump bellies and wide hips celebrated in prehistoric goddess totems. Coated in deep, multi-layered cobalt and midnight blue glazes, the clay bodies serve as a spatial canvas for intricate poetry handwritten using sgraffito etching techniques. Because the poetic verses seamlessly spill across the boundaries of the separate vessels, Hodge creates a striking visual allegory reflecting the fragmented and scattered nature of women's shared history and creative records across generations.

 

The design lady cups reference the ancient tradition of feminine totems and goddess figures with their plump bellies and wide hips. In contrast to contemporary beauty ideals, these figures demonstrate the capacity for life and abundance that used to be celebrated. By covering large sections of their forms with her own poetic text, she fills them with a narrative of love, each poem spilling from one cup to the next. The continuity across feminine forms reflects the way that women’s stories are often fragmented by culture and time.

 

Secure a beautifully complex and conceptually profound masterpiece for your home; purchase this authentic set of contemporary collectible ceramics by Alex Hodge directly on our gallery.

Contemporary Collectible Ceramics - Set of 3 Porcelain Cup, 2019. By Alex Hodge

$600.00Price
  • Alex Hodge

    Set of 3 Porcelain Cup, 2019

    From Fragments Of Our Love Story series

    Porcelain cup with sgraffito detailing

     

    Dimensions:

    Overall size: 5.5 x 9 x 3 inches.

    Individual size:

    1. Eyes That Are: 5 x 3 x 3 inches.

    2. You Wanted Something: 5.5 x 3 x 3 inches.

    3. Is Beating Me From the Inside: 5 x 3 x 3 inches.

  • Hodge studied and graduated from the University of Georgia with a degree in Ceramics, with notable exhibitions such as Unsung Muses and Eyes That Bind, graduating summa cum laude and receiving honors such as the Outstanding Undergraduate Award. Here, clay became the conduit that allowed her to speak of her experience and, more importantly, her frustrations. Always curious to acquire more knowledge and skills, she pursued a Master of Fine Arts degree at the University of Miami. There she obtained the summer scholarship and the William Oberman Award, and graduated summa cum laude. During this time, she moved from expressions of anger to prioritizing love between women, the deep well of internal feminine landscapes and the historical exploration of women in relation to the present through ceramic material. Since then, her works have been exhibited at the Morean Arts Center, Arts Benicia and the Imurj Gallery, among others. She currently resides in rural Georgia, where she transforms her stories into sculptures that reveal what has been historically hidden.

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