The monumental contemporary sculpture stands as a groundbreaking three-dimensional triumph by Cuban-American master Yunior Marino. This freestanding masterwork is meticulously crafted from an innovative combination of structural wood, expanded polystyrene, and hundreds of saturated textile pom-poms. The artwork manifests as a majestic, hybrid zoomorphic creature referencing sacred forest deities, completely blanketed in a kaleidoscopic skin of dense geometric textile patterns. Its sophisticated dialogue between industrial framework, folk iconography, and tactile surface texturing yields immense curatorial weight.
 
He conceives the creation of his paintings as mantras, in the sense that by repeating the same action, his mind empties completely.The act of painting becomes a form of meditation. Mariño explains that the time and process of creating a work are at the core of what the painting wants to mean, declaring: that is how they were made, they are what they are. Mariño frames the art of creation simply by fixing what we have once destroyed. He actively uses his past and the concept of the passage of time with universality to heal his present and future.
 
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