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This breathtaking contemporary wall sculpture stands as a definitive visual statement of industrial upcycling and progressive geometry within the celebrated material exploration collections by artist Fanny Finkelman Szyller. The artwork tracks a profound narrative proving that discarded rusty elements are not trash. Shifting between abstract minimalism and raw physical construction, her creative sensibility transforms found materials into irreplaceable pieces full of transparency and life where adding color to each section dictates the final volume form. The square layout anchors a powerful perspective structured around a bold color-block environment, balancing a massive, radiant orange circular concave acrylic shield inside a rugged dark circular frame ring, customized and bound by an intricate assemblage of vintage bronze hardware and a raw threaded iron rod that rises effortlessly from an absolute black background field.

 

For many, rusty materials, pieces of glass, or plastic fragments are not trash to be discarded. Finkelman's creative sensibility has made these materials irreplaceable when creating her sculptures.

The artist's three-dimensional sculptures are full of transparency thanks to the combination of various materials and discarded objects. Adding color to each piece is essential, but within the aesthetic context that determines the final form.

 

Acquire this original contemporary wall sculpture by Fanny Finkelman Szyller and enrich your art collection.

Contemporary Wall Sculpture - Assembler Naranja N°3, 2021. By Fanny Finkelman

$1,000.00Price
  • Fanny Finkelman Szyller

    Assembler Naranja N°3, 2021

    Acrylics found metal and bronze objects on Acrylic

     

    Dimensions:  15.7 H x 15.7 W x 3.5 D in. 

    Weight: 4 lbs

     

    One of a kind 

  • Fanny Finkelman's sculptures are the result of a continuing exploration of the many materials that the artist has worked with over the years. The three-dimensional artists' sculptures are full of transparency by the combination of various materials and objects that have been thrown away. Adding color to each piece is essential, but in the aesthetic context that controls the final form. This precious landscape is all the result of the exploration of small pieces of metal intervened with different acids that the artist finished with color pigments and gold dust.

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