Inspired by the power traditionally attributed to image, Hunter & Gatti wanted their works to perpetuate the wildfire velocity of fashion and the fast cycle of this industry which voraciously consumes any of the images they have created. In response, H&G started re-working celebrity portraits: taking recognizable faces that idealize the work, to give them a new origin, exploring concepts in perception, change, and identity, and playing with the tension between the material and the photography. Change is the only way to keep their pictures alive. All is flux wall sculptures, nothing stays still.
Diptych: Kate Hudson and LIU Wen. Portrait Wall Sculptures
Diptych: Kate Hudson and LIU Wen (Wall Sculpture), 2018
From the series All is Flux
Acrylic tridimensional wall sculpture
Sculpted pigment print on Forex acrylic
Dimensions:
Overall size: 68 H x 87 W x 9 D in.
Kate Hudson: 64 H x 42 W x 9 D in.
LIU Wen: 68 H x 45 W x 6 D in.
Preparation time: Three to four weeks
This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter.
Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams, Penélope Cruz, Jennifer Lopez, Ewan McGregor, Lalisa Manoban, Adria Arjona, and Bruno Mars, among many others. Yet his focus goes beyond portraiture—what truly interests him is what remains when the image stops being literal and begins to emerge as a living object. His current body of work includes both new pieces and selected artworks from the artistic legacy of Hunter & Gatti, which he now manages. These are duly credited as “ created by Hunter & Gatti,” presented alongside his personal practice and establishing a dialogue between history, transformation, and contemporary gaze. His work has been exhibited in cities such as Barcelona, New York, and Miami, and reflects a visual practice grounded in experience, exploration, and ongoing evolution.
