This exceptional fine art collage artwork actively challenges traditional flatness by converting hand-selected graphic materials into an authoritarian, highly structured visual laboratory. Serrano painstakingly coordinates an analytical, analog assemblage of printed magazine fragments, configuring an intricate axial symmetry layout that suggests an organic-mechanical artifact or an emissary from an alternate cosmic order. The morphology thrives on a strict color-coded transition, flowing masterfully from top-tier emerald green tones and botanical elements down through a dense field of brilliant sapphire blues and ice-clear diamonds, culminating in a base of deep purple amethyst cuts and warm gold accents. This multi-layered matrix serves as a powerful abstract commentary on the tensional friction between expanding human consumerism and a self-regulating natural world.
This series of analog collages is constructed from precise assemblages of printed fragments, forming symmetrical compositions that suggest entities or emissaries from an alternate cosmic order. The work integrates visual resources from contemporary graphic material and industrial elements, reorganized into organic-mechanical structures. This system of pieces offers an abstract reading of the tension between the expansion of human consumerism and the emergence of a new self-regulating nature, translated into morphologies that evoke symbolic artifacts from a non-human dimension.
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Fine Art Collage Artwork - Invasion Gama 4, 2019. By Fredy Saul Serrano
Invasion Gama 4, 2019
From The Series Invasion Gama
Assembly made with paper cutouts from magazines on cotton paper.
Dimensions:
Image size: 6.6 H x 4.1 W in.
Paper size: 17.7 H x 17.7 W in.
Unframed
Fredy Saúl Serrano Buitrago is a Colombian artist with a Master's degree in Fine Arts from the Industrial University of Santander. In his works, he uses diverse media such as drawing, collage, painting, and sculpture, hybridizing them with tools from other disciplines such as design, science, fashion, architecture, and installation, seeking a poetic presentation of these visions. He chooses concrete, everyday territories, convinced that direct experience with forms and materials allows him to generate certain reflections necessary to understand a common whole. Serrano has held multiple solo exhibitions throughout his artistic career. For his works, he has received national recognition and incentives since 2005, such as the Artistic Scholarship for Artists with a Career from the National Incentive Program of the Ministry of Culture, Arts, and Knowledge (Colombia), and the Mention of Recognition from the Fifth Young Art Salon of the El Nogal Club, Bogotá, Colombia.
