Standing as a definitive statement of a contemporary fine art paper artwork, masterfully challenges the traditional boundaries of portraiture by operating as a sacred visual artifact. Within The Golden Ex-voto Series, ALMO configures an intricate visual laboratory, deploying a pristine 450 g fine art paper substrate as a minimalist void to float a highly textured, sculptural golden structure. The composition acts as a totemic layout of five human countenances seamlessly woven together by fluid organic branches, referencing classical archetypes, universal dreams, and ancestral offering symbols. This calculated tension between the absolute flatness of the background and the tactile gravity of the metallic gold pigment archives the artist's transcontinental memories into a quiet yet powerful architectural statement.
Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us.
That figurative portrait that embodies the sophisticated ethos of The Art Design Project. This piece seamlessly blends geometric precision with an expressive palette, inviting you to explore its depth and nuances.
Purchase this unique, museum-worthy work of art, created by ALMO, directly online through The Art Design Project platform.
Fine Art Paper Artwork - Presence #2, 2022. From The Golden Ex-voto. By ALMO
Presence #2, 2022
From The Golden Ex-voto Series
Acrylic paint on 450 g paper
Dimensions: 19.6 H x 13.7 W in.
Unique
Unframed
Almo, Jorge Alberto Murilo, was born in Honduras, grew up in the Philippines. He lives in Brazil, Salvador, Bahia, since 1999, today he lives in São Paulo. Regarding his academic training, he graduated in Industrial Design, completed in 1997, at the European Institute of Design, Milan, Italy. He has training in Architecture from the University of Florence, Faculty of Architecture and the Milan Polytechnic.

















