Part of Casey Waterman’s critically acclaimed practice, this unique polyptych creation treats the graphic space as an analytical laboratory for sub-surface tension, deliberately removing parts of the raw figures to investigate the dialogue between presence and omission. The arrangement tracks an intense graphic rhythm across nine independent sheets, where stylized human silhouettes, summer beach towels, and sun hats are distilled into flat, high-contrast color fields over solid sky-blue backgrounds. Heavily inspired by written literature rather than secondary visual art trends, this calculated visual strategy converts domestic memories into an authoritarian tactile presence that forces viewers to ask new questions.
By removing parts of the image in this figurative print, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts are then reintroduced as prints, paintings, sculptures, and large-scale murals. His curiosity and inspiration stem mainly from written works and everyday experiences, rather than from other visual artists. After conceptualizing an idea, he collects images, some of which are not cut until years later, to help investigate choices and provoke new questions. For Casey, the process and the work are interconnected, with each facet being significant and worthy of attention.
Purchase this unique, investment-grade portfolio of limited edition minimalist illustration prints by Casey Waterman online directly through the The Art Design Project platform.
Limited Edition Minimalist Illustration - Set of 9, from Why This Restlessness
Set of 9 artworks, 2018
From the Series "Why This Restlessness?"
Archival Inkjet Print
Red BallBoobs
Legs
Sun Hat
Cig
Tennis
Lawn
Coat
Swing
Limited Edition.
Unframed
Casey Waterman was born and raised in a small rural town in New Hampshire. With over a decade of culminated work, his process and curiosity are mostly self-taught and induced. Casey attended Keene State College receiving a bachelor's degree in architecture. He has worked as a preparator in museums and galleries both in New England and Miami. He most recently spent two years as an assistant to the formerly local Miami artist Enrique Martinez Celaya, gaining valuable insight and education.
















