Operating as a sublime statement of a contemporary minimalist abstract painting installation, this paired artwork masterfully structuralizes the interplay between metallic forms and absolute spatial vacancy. Within The Golden Ex-voto Series, ALMO utilizes two thick, pristine 450 g fine art paper backings as a conceptual void, isolating heavily textured, sculptural golden motifs. The sequential layout translates human profile shapes into fluid, womb-like circular networks that reference classical archetypes and universal offering symbols. By removing any traditional landscape context, this multi-panel canvas successfully locks the artist's transcontinental memories and nomadic displacement into a quiet, architectural tactile presence.
Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us.
That figurative portrait that embodies the sophisticated ethos of The Art Design Project. This piece seamlessly blends geometric precision with an expressive palette, inviting you to explore its depth and nuances.
Purchase this unique investment-grade minimalist abstract painting set by ALMO online directly through the The Art Design Project platform.
Minimalist Abstract Painting - Presence #4 and #3 Diptych, 2022. By ALMO
Presence #4 and #3, Diptych, 2022
From The Golden Ex-voto Series
Acrylic paint on 450 g paper
Dimensions:
Overall size: 19.6 H x 27.5 W in.
Individual size: 19.6 H x 13.7 W in.
Unique
Unframed
Almo, Jorge Alberto Murilo, was born in Honduras, grew up in the Philippines. He lives in Brazil, Salvador, Bahia, since 1999, today he lives in São Paulo. Regarding his academic training, he graduated in Industrial Design, completed in 1997, at the European Institute of Design, Milan, Italy. He has training in Architecture from the University of Florence, Faculty of Architecture and the Milan Polytechnic.

















