This monumental collectible porcelain vase stands out as a true masterpiece of large-scale structural ceramics, sporting a flattened, wide silhouette that pushes the limits of fine art porcelain. The exterior acts as an immersive archival canvas, where intricate monochrome sgraffito etching strips away dark slip to unveil the bright white clay body underneath. The focal scene honors the classical divinity Hera within a dynamic storm of swirling clouds and wild terrain, mirroring Adrienne Rich’s poetry on reclaiming long-forgotten female origins and identity. Hodge infuses the goddess with raw psychological strength, creating a premier, museum-grade center piece custom-tailored for high-end residential or institutional art collections.
Unsung Muses is a group of large-scale vessels, wall pieces, and small sculptures which comprised a solo exhibition at the University of Georgia's School of Art in October 2015. The works were accompanied by an excerpt from an Adrienne Rich poem titled "Transcendental Etude." The excerpt reads: "But in fact we were always like this, rootless, dismembered: knowing it makes the difference. Birth stripped our birthright from us, tore us from a woman, from women, from ourselves so early on and the whole chorus throbbing at our ears like midges, told us nothing, nothing of origins, nothing we needed to know, nothing that could re-member us."
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Collectible Porcelain Vase - Reimagining the Divine as You, 2014. By Alex Hodge
Reimagining the Divine as You, 2014
From Unsung Muses series
Hand-built and carved porcelain vase
Dimensions: 36 H x 20 W x 8 D in.
Weight: 34 lbs
Hodge studied and graduated from the University of Georgia with a degree in Ceramics, with notable exhibitions such as Unsung Muses and Eyes That Bind, graduating summa cum laude and receiving honors such as the Outstanding Undergraduate Award. Here, clay became the conduit that allowed her to speak of her experience and, more importantly, her frustrations. Always curious to acquire more knowledge and skills, she pursued a Master of Fine Arts degree at the University of Miami. There she obtained the summer scholarship and the William Oberman Award, and graduated summa cum laude. During this time, she moved from expressions of anger to prioritizing love between women, the deep well of internal feminine landscapes and the historical exploration of women in relation to the present through ceramic material. Since then, her works have been exhibited at the Morean Arts Center, Arts Benicia and the Imurj Gallery, among others. She currently resides in rural Georgia, where she transforms her stories into sculptures that reveal what has been historically hidden.
