As the first in this color series, this work establishes Artioli's approach to chromatic exploration of classical forms. Subtle gradations of warm and cool tones create depth within the blur, suggesting the layered patina that accumulates on ancient marble. The color palette evokes both Renaissance painting and contemporary abstraction, positioning the work at the intersection of multiple artistic traditions.
 
Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the skin of the past I can feel the blood flow under the marble. Feel the warmth under the cold. And history rises up with a breath of lust'.
 
Collectors appreciate this photography of sculpture for its historical significance within Artioli's oeuvre and its versatile palette that complements diverse interior spaces. The Art Design Project in Miami Beach offers this 2016 work as both a standalone statement and a compelling anchor for those building collections of contemporary photography.