This historically significant masterpiece sets an elite standard, establishing itself as a premier example of avant-garde architectural photography where structural infrastructure is deconstructed into a flat, abstract study of form and shadow. Shot in 1963, Leo Matiz masterfully bridges the gap between physical building blocks and the clean geometric purity of Neoplasticism, creating an explicit visual dialogue with the heritage of Piet Mondrian. The layout handles the sharp corners of the white concrete facade as dynamic graphic elements that pierce the composition, beautifully balanced by heavy, pitch-black shadow blocks and a texturized, cloudy background. Expertly developed as a premium gelatin silver print, the work celebrates material truth, contrast, and spatial harmony, delivering selective contemporary art collectors a museum-grade centerpiece of exceptional archival value.
Signed "Leo Matiz" lower left and embossed "Leo Matiz Foundation" on lower right, Verso reads: "Copyright: Alejandra Matiz"
Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract and avant-garde images. They turned Leo Matiz into one of the most original and innovative personalities of universal photography in the 20th century.
Explore a powerful object of geometric reflection and rigorous formal balance into your space; safely incorporate this cutting-edge architectural photography work by Leo Matiz on our website.
top of page
$2,000.00Price
SHIPPING TERMS
Shipping and packaging prices are calculated based on carrier rates, distance and complexity of delivery. Customers are encouraged to use their own shipping company account to arrange pickup of the part after purchase.Large pieces that require special packaging will generate charges that will be invoiced individually and must have your prior authorization.
​
To know more visit our Buyers guide and terms and conditions page.
​
Related Products
bottom of page

















