Janela do Tempo is a visual meditation on impermanence and transformation — an ode to the fleeting nature of urban life. In a city where change is the only constant, Eduardo Rezende captures moments suspended between construction and decay, loss and renewal. Through his lens, the ephemeral becomes eternal. The photographer’s gaze reveals the hidden poetry within transition — scaffolds, walls, and surfaces that bear the silent marks of time and human presence. Each photograph is a window into the passage of life, transforming ordinary scenes into metaphors of resilience and rebirth. Rather than documenting, Rezende interprets. His images hover between reality and abstraction, inviting the viewer to reflect on the fragile balance between permanence and change. In these visual “paintings,” time itself becomes the subject — layered, cracked, and luminous. Janela do Tempo is ultimately a reflection on how we inhabit transformation. It celebrates the beauty of what is incomplete, the poetry of what fades, and the subtle rhythm of becoming. In capturing what is transient, Eduardo Rezende offers more than images of urban landscapes — he offers a philosophy of looking. His photographs remind us that every ruin, every wall, every fragment carries within it the quiet art of time itself.
Immerse yourself in the sublime beauty of Color Photography, featured at The Art Design Project, a premier contemporary art gallery in Miami.
Casa de Areia, 2024. Color Photography
Casa de Areia, 2024
From The Janela do Tempo series
Archival pigment print on canvas
Limited Edition.
Unframed
Eduardo Rezende (b. Rio de Janeiro, 1977) was introduced to art early in life through his mother, an art dealer. He began his career in photography in 2001 and has since developed a visual language defined by graphic precision, vibrant color, and a sculptural sensitivity to texture and form.
His work centers on spaces in transition — construction sites, ruins, and fragments of the urban landscape — where the overlooked becomes central. Even without human presence, his images reveal traces of time, labor, and material memory. Through his lens, ordinary elements are reimagined as compositions of striking chromatic and structural balance, challenging the viewer’s perception of depth and surface.
Rezende’s photographs inhabit the boundary between what is visible and what lies beneath. They blur distinctions between photography, painting, and architecture, transforming raw reality into poetic abstraction.
Living and working between cultures — primarily in Miami, Brazil, and Europe — Eduardo maintains a nomadic gaze shaped by movement and impermanence. His practice reflects on what is constantly being built, eroded, or reborn, offering a renewed way of seeing the contemporary world: one that recognizes beauty in process, in decay, and in the silent rhythm of transformation.
