Rezende's work centers on the observation of spaces in transformation. Elements that would typically go unnoticed become silent protagonists. Even in the absence of human figures, his images carry traces of time, labor, and matter. Through his lens, Eduardo elevates the ordinary into visual constructions of striking graphic and chromatic impact. His photographs challenge perception: at times, it is difficult to tell whether what we see is flat or three-dimensional, a photograph or something beyond. They offer a new perspective on the world, inviting the viewer to find beauty and meaning beyond the obvious. Living between different cultures and geographies, Eduardo brings to his work a nomadic and contemporary gaze-one that sees the world through what is in flux, in ruins, or in the process of being rebuilt. His photography is always searching for what exists in between: between the visible and the veiled, between the surface and the substance, between what was and what is still becoming.
AVAILABLE ARTWORKS BY EDUARDO REZENDE
BILLBOARD SERIES
About the BILLBOARD series: The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Known for his ability to extract the graphic and chromatic essence of the city, Rezende transforms building facades into monumental canvases for his photographic interventions. In Billboard, images printed on architectural surfaces merge seamlessly with the geometry, color, and materiality of each structure. These large-scale works do not simply occupy space; they redefine it, creating a tension between the image and its physical support. Beyond aesthetics, the series operates as an anti-advertising manifesto — a counterpoint to the visual noise of contemporary cities. Instead of selling a product, Rezende offers a pause: an invitation to rediscover beauty in the overlooked, to contemplate rather than consume. Each piece interrupts the city’s visual routine, transforming façades once dominated by commercial imagery into poetic acts of resistance. Ultimately, Billboard reflects Rezende’s pursuit of humanization within the urban landscape. His photographs breathe art and emotion into concrete surfaces, suggesting that cities, too, can dream — that within their density and chaos lies the possibility of renewal, imagination, and silence.
LAVORI IN CORSO SERIES
About the LAVORI IN CORSO series: Eduardo Rezende’s 2024 series Lavori in Corso revisits one of the artist’s most enduring themes: the urban and architectural landscape — this time focused on construction sites, scaffolding, and the materials used to build, restore, and protect buildings. What we usually see as obstacles or visual noise becomes, through his lens, a field for aesthetic and cultural reflection.
Rezende transforms these transitory structures — steel frames, dust screens, safety nets — into visual compositions of rhythm, geometry, and light. His photographs strip away the human presence to highlight the textures, colors, and tensions that define the modern city in constant reconstruction.
Central to the series are the tarps and fabrics that veil and reveal, filtering light and producing patterns of transparency, shadow, and reflection. Stripes, folds, and tears become dynamic elements — like musical scores — where order and disruption coexist.
Color plays a crucial role, breaking the monotony of metal and white mesh with vivid chromatic contrasts that renew our sense of wonder. Rezende’s gaze, both poetic and analytical, finds beauty in what is temporary, overlooked, or imperfect.
Through these images, the artist invites us to reconsider the city not as a finished structure but as a living organism — fragile, rhythmic, perpetually in motion — and reminds us that even “under construction,” there is art, meaning, and humanity.
TRAMA SERIES
About the TRAMA series: The interlacing of what sustains. In the series Trama, Eduardo Rezende turns his gaze to the hidden structures of the built environment — the elements usually concealed beneath the polished surfaces of cities. Beams, joints, steel plates, rivets, columns, and reinforcements form the silent framework that holds up the modern urban world. By isolating these elements in rigorous, nearly abstract compositions, the artist reveals the underlying weave that sustains our daily lives. These images do not depict construction as spectacle, but as essence. The focus lies on what connects, interlocks, and gives form and resilience. Corten steel, reinforced concrete, welds, and industrial textures come together in a visual fabric marked by time, labor, and transformation. There is a constant tension between weight and lightness, strength and vulnerability. Rigid lines and structural angles are met with a sensitive photographic gesture that seeks rhythm, harmony, and poetry even in the raw mechanics of contemporary life. Through Rezende’s lens, the technical becomes aesthetic, and the functional, symbolic. Trama is, ultimately, an archaeology of the present — an attempt to understand the world by observing what holds it together. It is also a tribute to the visible and invisible connections that keep everything standing.
JANELA DO TEMPO SERIES
About the JANELA DO TEMPO series: Janela do Tempo is a visual meditation on impermanence and transformation — an ode to the fleeting nature of urban life. In a city where change is the only constant, Eduardo Rezende captures moments suspended between construction and decay, loss and renewal. Through his lens, the ephemeral becomes eternal. The photographer’s gaze reveals the hidden poetry within transition — scaffolds, walls, and surfaces that bear the silent marks of time and human presence. Each photograph is a window into the passage of life, transforming ordinary scenes into metaphors of resilience and rebirth. Rather than documenting, Rezende interprets. His images hover between reality and abstraction, inviting the viewer to reflect on the fragile balance between permanence and change. In these visual “paintings,” time itself becomes the subject — layered, cracked, and luminous. Janela do Tempo is ultimately a reflection on how we inhabit transformation. It celebrates the beauty of what is incomplete, the poetry of what fades, and the subtle rhythm of becoming. In capturing what is transient, Eduardo Rezende offers more than images of urban landscapes — he offers a philosophy of looking. His photographs remind us that every ruin, every wall, every fragment carries within it the quiet art of time itself.
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GRAVITAS SERIES
About the GRAVITAS series: Gravitas explores the poetic tension between matter and body through the collaboration of sculptor Túlio Pinto and photographer Eduardo Rezende. Presented at Piero Atchugarry Gallery in Miami, the exhibition transforms gravity from an invisible force into a visible, tangible experience. Divided into two acts — one photographic, one sculptural — the show reveals how weight, balance, and resistance shape both form and feeling. In Act I, Rezende’s black-and-white photographs place the body in dialogue with stone. His lens captures moments of strain and surrender, where hands and torsos yield to the mass pressing upon them. Departing from his fashion background, Rezende celebrates vulnerability over perfection, turning the body into a living sculpture marked by gravity’s touch. In Act II, Pinto extends this dialogue into space, suspending heavy stones from fragile glass chains. The inversion of weight and fragility exposes the paradoxes of strength, trust, and material truth. Together, Pinto and Rezende dissolve boundaries between sculpture, performance, and photography. Their collaboration invites viewers to not only see but feel gravity — its pull, its tension, its quiet authority. Gravitas ultimately becomes a meditation on what binds us to the ground and what allows us to rise against it: a study of balance, endurance, and the human spirit.
EXHIBITIONS
EDUARDO REZENDE
REPRESENTED ARTIST
Eduardo Rezende, born in Rio de Janeiro in 1977, was introduced to the world of art early in life, influenced by his mother, an art dealer.
He began his professional journey in photography in 2001 and has since developed a distinctive visual language marked by graphic precision, expressive use of color, and a sculptural attention to the textures and forms of the urban environment.