This breathtaking contemporary dimensional wall sculpture stands as a definitive visual statement of organic upcycling and progressive structure within the celebrated material exploration collections by artist Fanny Finkelman Szyller. The artwork maps out an immersive narrative proving that discarded rusty elements or glass fragments are valuable treasures. Shifting between abstract geometry and raw physical construction, the layout combines various found materials to generate pieces full of transparency and light, where adding deep color codes is essential within the structural layout to dictate the final volume form. The circular orientation anchors an impactful perspective structured around a balanced low-key studio environment, isolating a massive translucent blue cobalt glass bowl lens centered over a larger reflective gray polished metal plate shield, customized and bound by a heavy, raw hand-twisted aluminum cable wire knot that rises effortlessly from clean studio margins.
For many, rusty materials, pieces of glass, or plastic fragments are not trash that should be thrown away. Finkelman's creative sensibility has made these materials irreplaceable when creating her sculptures.
The artist's three-dimensional wall sculptures are full of transparency thanks to the combination of various materials and discarded objects. Adding color to each piece is essential, but within the aesthetic context that determines the final form.
Acquire this original, contemporary, three-dimensional wall sculpture by Fanny Finkelman Szyller and enrich your art collection.
Contemporary Dimensional Wall Sculpture - Nudo, 2021. By Fanny Finkelman Szyller
Nudo, 2021
Polished metal, metal knot, metal, and Glass.
Dimensions: 19.2 H x 19.2 W x 3.5 D in.
One of a kind
Fanny Finkelman's sculptures are the result of a continuing exploration of the many materials that the artist has worked with over the years. The three-dimensional artists' sculptures are full of transparency by the combination of various materials and objects that have been thrown away. Adding color to each piece is essential, but in the aesthetic context that controls the final form. This precious landscape is all the result of the exploration of small pieces of metal intervened with different acids that the artist finished with color pigments and gold dust.

















