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Standing as a bold and definitive monument of contemporary Latin American expressionism, masterfully challenges traditional academic staging by shifting raw urban encounters into a multi-layered psychological statement within the discipline of international contemporary portrait drawing collections. Part of Celso José Castro Daza’s critically acclaimed Everyday Life in the Valley series, this unique physical creation treats the cotton paper substrate as an analytical laboratory for everyday human documentation. The vertical layout tracks an intense graphic rhythm, where the prominent referent of Colombian Caribbean art coordinates a complex mixed media matrix of watercolor washes and rich ink sketch marks. By splitting the frame into a two-sheet vertical layout that cuts directly across the subject's face, this calculated layout transforms a daily documentary routine into an undeniable architectural gravity that captures the inner life and complex identity of the male form.

 

Experience the evocative brilliance of "Taxi Driver, June 14 - Diptych, 2018 Drawing," a stunning piece showcased at The Art Design Project in Miami. This contemporary work captures the essence of urban life and the intricate narratives woven within it, resonating with both the seasoned collector and the fresh art enthusiast. As a gallery committed to highlighting the talent of both established and emerging artists, we take pride in presenting this thought-provoking diptych that exemplifies our dedication to artistic excellence. 

 

Acquire this unique piece of contemporary art by Celso Castro, a portrait of great value to collectors, through The Art Design Project platform.

Contemporary Portrait Drawing - Taxi Driver, June 14 - Diptych 2018

$400.00Price
  • Celso José Castro Daza

    Taxi Driver, June 14 - Diptych,  2018

    Watercolor and ink on cotton paper

     

    Dimensions: 27.7 H x 19.5 W in.

  • Celso Castro is a referent of Colombian Caribbean art who has been drawing men for more than four decades, studying at the Pratt Institute in New York. In his works, Castro exalts the male genitalia, putting into tension the limits imposed by the sex/gender system that are part of an unquestioned patriarchal and phallocentric order. Most ment the ones he portrays are inhabitants of the Colombian coast, also constructing alternative ways of conceiving Latin American identity. By breaking taboos on corporality and male sexuality, his work has been censored on many occasions due to public accusations of immorality and pornography.

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