Part of Casey Waterman’s critically acclaimed practice that leads directly into his Origins series, this unique physical polyptych creation treats the graphic space as an analytical laboratory for evolutionary investigation. Heavily inspired by Paul Shepard's book The Only World We've Got, the arrangement tracks an intense graphic rhythm across six independent workspaces measuring 15 H x 15 W inches each. Waterman coordinates a complex material matrix by breaking the phrase into disjointed syllables—"WHE", "N YO", "U LO", "VE S", "OME", "ONE"—rendered in brilliant metal gold leaf directly over clean white fine art paper. By deconstructing the flow of communication into hard-edged geometric frames, this calculated visual layout successfully provokes new questions about the way humans connect, exist, and feel today.
Casey Waterman's work encompasses a wide range of materials and mediums but is primarily based on creating cut images from photographs, drawings, or other forms of visual media. For Waterman, calling himself an artist is based on the importance of being honest about his intentions and staying true to his actions. Waterman's work can be found in private collections along the East Coast. As a continuous process of personal exploration, he continues to research and create in his studio in Miami.
Purchase this unique, investment-grade portfolio of limited edition typographic print art by Casey Waterman, online directly through the The Art Design Project platform.
Limited Edition Typographic Print - When You Love Someone 2015 by Casey Waterman
When You Love Someone, 2015
Metal Gold Leaf on Archival Paper
Dimensions:
Overall dimension for the six frames: 34 H x 204 W in.
Frame Individual size: 34 H x 34 W in.
Individual size: 31 H x 31 W in.
Unique
Casey Waterman was born and raised in a small rural town in New Hampshire. With over a decade of culminated work, his process and curiosity are mostly self-taught and induced. Casey attended Keene State College receiving a bachelor's degree in architecture. He has worked as a preparator in museums and galleries both in New England and Miami. He most recently spent two years as an assistant to the formerly local Miami artist Enrique Martinez Celaya, gaining valuable insight and education.

















