Engulfment Mosquera 5 presents the abyss as interior emotion through emotional abyss photography—figure neither defeated nor threatened, but withdrawn in diluted presence. Rey frames disappearance as conscious evasion: refusal to occupy fixed identity. Mosquera becomes quiet stage where density thins and subjectivity loosens, suggesting engulfment can function as protection—temporary suspension of responsibility within textured stillness.
 
Amorphisms explore the distorted and negative self-image, which is constructed and mutated from emotions, lived experiences, and interactions with others. Assuming that these mental images are often false and altered, I am interested in examining mine. When inquiring into my perception, I recognize the body as an uncomfortable and changing mass, as an object that I inhabit and deteriorate with use, a weight that I have to drag like something alien and annoying. This project is the transition from a mental image to a concrete image and starts from a doubt: not being able to identify myself with something that is constantly changing, looking for myself, and finding only a misshapen lump that moves and breathes. My starting point is photography, which allows me to explore my self-image and reconstruct it, resulting in a mass of skins that clump together in space.
 
Emotional abyss photography articulating self-withdrawal and suspended identity. From Engulfment. Available at The Art Design Project, Miami Beach.