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Photographed in the idyllic tropical landscapes of the Philippines, Thailand, and the South Sea Islands, Asian Ladies I (1999) by renowned photographer Uwe Ommer is a captivating fine art archival pigment photograph. As part of Ommer's celebrated Asian Ladies body of work, this piece presents a full-length portrait set against lush greenery, where traditional conical headwear and natural light merge to evoke a sense of poetic tranquility and longing. Drawing inspiration from historical masters like Gauguin and Nerval, Ommer explores the implicit sexuality and mythical charm of pristine environments. Produced as an Archival Pigment Print in a highly exclusive limited edition of 5, measuring 40 x 60 cm (15.74 x  23.62 in.), this work offers museum-grade caliber for discerning collectors.

 

The Asian Ladies of this volume were photographed in some of the most beautiful places on earth, the tropical regions of the Philippines, Thailand and the South Sea Islands, the idyllic beaches of Tahiti and Fiji. Locations that have inspired artists as diverse as Gauguin and Nerval to produce their finest works. Ommer examines the implicit sexuality of those poetic landscapes, and with the clarity of his sumptuous photographs has created images of yearning and mystery. A journey into myth and sensuality from which it may be difficult to return.

 

Discover and purchase this original fine art archival pigment photograph on our online store today to elevate your private collection with an iconic tropical study.

Fine Art Archival Pigment Photograph - Asian Ladies I (1999) by Uwe Ommer

$2,000.00Price
  • Uwe Ommer

    Asian Ladies I, 1999

    From Asian Ladies series 

     

    Edition of 5 Archival Pigment Photograph

     

    Size: 15,74 H x 23.62 W in.

  • Uwe Ommer (born 1943) in Bergisch Gladbach is a German photographer. Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable. In 2002, Uwe Ommer was awarded an Honorary Fellowship by the Royal Photographic Society for the impact of his lifetime of work.

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