Created in 2019, this work presents evolution in Sukan's approach—multiple semi-transparent architectural planes overlap, creating complex visual depth where foreground and background become indistinguishable. The layering technique produces spatial ambiguity where viewers cannot determine which surfaces are solid, which are reflections, and which are digital insertions. This compositional complexity exemplifies the series' investigation into how photographic manipulation reveals architecture's inherent instability and the white cube's constructed nature.
 
Sukan’s photographic work explores the conventions of the modern white cube as both an architectural context and as a content subject in and of itself. By addressing the notions of spatial memory, presentation, and representation, this exhibition enhances the confrontation between visibility and invisibility in social and phenomenological terms. By means of deconstruction, intervention, and reconstruction of the white cube, Sukan brings complicity between opposites and creates dualism between recognition and non-recognition, visibility and invisibility, abstraction and concrete concepts. The result is an entirely new space, an architecture of past and future, with a continuously shifting viewpoint. Sukan proposes a phenomenal situation, challenging the viewer on the realism of the photograph and the memory of a space, while also opening up the horizons of the viewer’s perception and interpretation of the exhibition's own immediate setting.
 
Layered Transparency Planes from 2019 represents evolved complexity in spatial investigation—overlapping architectural surfaces creating visual depth photography. From INtheVISIBLE series. Available at The Art Design Project, Miami Beach.