Sukan is a multi-faceted artist who is trained in interior architecture and photography and has tackled ideas that question the limitations of human perception, the borders between the physical and the virtual as well as the visible and the invisible. Sukan’s work positions the artist as a challenging narrator who re-creates an idea or a form that confirms viewer expectations at first glance while undercutting them in practice.
Sükan created the series as he was working for international magazines such as L'Uomo Vogue (Italy), A Magazine (France), Crash (France), Faces (Switzerland) and Muse Magazine (Italy) between 2004-2008. He captures the tension and the individuality that remain present at backstages before the models enter the catwalk where they lose their individuality becoming actors of consumerism or objects of art. Sükan momentarily steals these figures - who are preparing for other roles to create his own dialogue and mise-en-scène right before they appear on the actual stage.
Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Paris, Milan, London and NY between the years 2004-2010. ‘La Notte’ is mainly from one specific costume party that is given by Carine Roitfeld of French Vogue in Paris. The party is before the social media era specifically before the Instagram era that makes it very private and has not been shown anywhere else.
While you are sleeping
‘While you are sleeping’ (Seascape Series) In his seascape works, Sukan manipulates his imagery connected to the constant tensions between the mental grasp of the specificity and representation.
He starts taking his pictures above sea level and contextualizes the scenes and brings out a new kind of perception. At first glance, the viewer may not be suspicious of the situation but on close inspection, questions arise; if this is a night time shot, how come the ships in motion look so sharp as if they are from a frozen movie still. By reconstructing these environments from one portion to another, Sukan raises some of the most elemental questions about how we perceive the world we live in. The other side of duality comes out when we look at the full moon in the sky. The moon is in transit and clearly gives a hint that the world or in this case another planet turns in its own axis. He creates an image that represents the duality of time, space in an undefined space.