Paloma Castello presents to us a nostalgia-filled body of work. The collection represents the soul of her proposal: inherited objects discovered or found that have become the tip of the iceberg of her past. These are elements she collects, recollects and then classifies following a method that frames her anachronic attitude that proves as evidence of the youth of her art. She also demonstrates that the experimentations on herself are common in an artist who’s just beginning her career. Castelloland works with objects whose uniqueness proves to be fundamental to the piece’s narrative in each story because each piece reacts and happens through the word and object interaction.
Piano Ursula - Castelloland, 2015
Paloma Castello’s body of work brings life to a different narrative to an object’s past. She is interested in playing with memory and relating it to the present, creating an atmosphere between reality and fiction. Her family and social background have a powerful influence on her work, she was surrounded by objects and anecdotes inherited from her ancestors, those objects inspire endless surreal stories. Her work emerges from these experiences; they are evidence of her “auto-fiction”.