Amorphism 6 realizes skin mass photography as photographic endpoint—self-image reconstructed where flesh clumps together as amorphous entity. Rey culminates examination of body as uncomfortable object: deteriorating mass inhabited with use, dragged as alien presence. The photograph embodies transition from mental distortion to material representation, demonstrating how false mental images create alienated relationship with physical form and proving photography's capacity to externalize psychological truth.
 
Amorphisms explore the distorted and negative self-image, which is constructed and mutated from emotions, lived experiences, and interactions with others. Assuming that these mental images are often false and altered, I am interested in examining mine. When inquiring into my perception, I recognize the body as an uncomfortable and changing mass, as an object that I inhabit and deteriorate with use, a weight that I have to drag like something alien and annoying. This project is the transition from a mental image to a concrete image and starts from a doubt: not being able to identify myself with something that is constantly changing, looking for myself, and finding only a misshapen lump that moves and breathes. My starting point is photography, which allows me to explore my self-image and reconstruct it, resulting in a mass of skins that clump together in space.
 
Amorphism 6 skin mass photography externalizes alienated corporeal relationship—mental distortion as concrete form. From Amorphisms. Available at The Art Design Project, Miami Beach.