Amorphisms 2, 3, 1 triptych presents three-panel self-image exploration tracking evolving relationship with uncomfortable corporeal mass. Sequential presentation emphasizes constant change preventing stable identification—each panel showing different flesh configuration demonstrating body's refusal to remain static. Multi-panel format mirrors psychological fragmentation, suggesting no single photograph captures complete distorted perception. Three panels together materialize doubt about identifying with object inhabited and dragged as alien weight.
 
Amorphisms explore the distorted and negative self-image, which is constructed and mutated from emotions, lived experiences, and interactions with others. Assuming that these mental images are often false and altered, I am interested in examining mine. When inquiring into my perception, I recognize the body as an uncomfortable and changing mass, as an object that I inhabit and deteriorate with use, a weight that I have to drag like something alien and annoying. This project is the transition from a mental image to a concrete image and starts from a doubt: not being able to identify myself with something that is constantly changing, looking for myself, and finding only a misshapen lump that moves and breathes. My starting point is photography, which allows me to explore my self-image and reconstruct it, resulting in a mass of skins that clump together in space.
 
Amorphisms triptych self-image exploration tracks corporeal transformation—three panels examining fragmented perception. From Amorphisms. Available at The Art Design Project, Miami Beach.