Sukan’s photographic work explores the conventions of the modern white cube as both an architectural context and as a content subject in and of itself. By addressing the notions of spatial memory, presentation, and representation, this exhibition enhances the confrontation between visibility and invisibility in social and phenomenological terms. By means of deconstruction, intervention, and reconstruction of the white cube, Sukan brings complicity between opposites and creates dualism between recognition and non-recognition, visibility and invisibility, abstraction and concrete concepts. The result is an entirely new space, an architecture of past and future, with a continuously shifting viewpoint. Sukan proposes a phenomenal situation, challenging the viewer on the realism of the photograph and the memory of a space, while also opening up the horizons of the viewer’s perception and interpretation of the exhibition's own immediate setting.
Explore this masterpiece and witness the transformative power of contemporary photography