Sukan has set out to identify alternative sites of public display and common space within the banal recesses of the everyday world. Collecting and adopting the sketch pads and papers that customers use for testing markers, pens and other drawing tools at art supply stores through years, from different cities around the world, Sukan considers how these test sheets serve as a vehicle for both intimate and exhibitionist performance as well as original social documents. In the improvised layers of sketches, doodles and drawings that fill the pages, Sukan sees the documents of a ritual that approximates the practices of graffiti art but makes no allowance for participation in a common culture. Unlike palimpsest or open-sourced editing platforms where history can be scraped clean and updated, the sketch pages collapse past and present straddling the line between private notation and public expression. His transformation of these sketch-filled pages suggests that while the artist offers another voice, it is one capable of giving form to that which litters the surface of the things.
Untitled 29 (Paris), 2018
Sukan is a multi-faceted artist who is trained in interior architecture and photography and has tackled ideas that question the limitations of human perception, the borders between the physical and the virtual as well as the visible and the invisible. Sukan’s work positions the artist as a challenging narrator who re-creates an idea or a form that confirms viewer expectations at first glance while undercutting them in practice.