The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Known for his ability to extract the graphic and chromatic essence of the city, Rezende transforms building facades into monumental canvases for his photographic interventions. In Billboard, images printed on architectural surfaces merge seamlessly with the geometry, color, and materiality of each structure. These large-scale works do not simply occupy space; they redefine it, creating a tension between the image and its physical support. Beyond aesthetics, the series operates as an anti-advertising manifesto — a counterpoint to the visual noise of contemporary cities. Instead of selling a product, Rezende offers a pause: an invitation to rediscover beauty in the overlooked, to contemplate rather than consume. Each piece interrupts the city’s visual routine, transforming façades once dominated by commercial imagery into poetic acts of resistance. Ultimately, Billboard reflects Rezende’s pursuit of humanization within the urban landscape. His photographs breathe art and emotion into concrete surfaces, suggesting that cities, too, can dream — that within their density and chaos lies the possibility of renewal, imagination, and silence.
A stunning Architectural photography showcased at The Art Design Project, a premier contemporary art gallery in Miami.
Visionaire, 2020. Architectural Photography
Visionaire, 2020
From The Billboard series
Archival pigment print on cotton paper
Dimensions: 55.1 H x 37.7 W in.
Edition 4/5 + 1AP
Unframed
Eduardo Rezende (b. Rio de Janeiro, 1977) was introduced to art early in life through his mother, an art dealer. He began his career in photography in 2001 and has since developed a visual language defined by graphic precision, vibrant color, and a sculptural sensitivity to texture and form.
His work centers on spaces in transition — construction sites, ruins, and fragments of the urban landscape — where the overlooked becomes central. Even without human presence, his images reveal traces of time, labor, and material memory. Through his lens, ordinary elements are reimagined as compositions of striking chromatic and structural balance, challenging the viewer’s perception of depth and surface.
Rezende’s photographs inhabit the boundary between what is visible and what lies beneath. They blur distinctions between photography, painting, and architecture, transforming raw reality into poetic abstraction.
Living and working between cultures — primarily in Miami, Brazil, and Europe — Eduardo maintains a nomadic gaze shaped by movement and impermanence. His practice reflects on what is constantly being built, eroded, or reborn, offering a renewed way of seeing the contemporary world: one that recognizes beauty in process, in decay, and in the silent rhythm of transformation.
