This striking contemporary painting embodies Yunior Marino's signature approach to using canvas as a medium for restorative meditation. The composition unfolds through a meticulous and expansive cellular network, striking a flawless equilibrium between macro-cosmic mandalas and intricate micro-organic structures. Marino's deliberate application of contrasting acrylic layers over a dark background creates an undulating optical rhythm that activates the entire surface.
 
The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is how they were made, they are what they are. Marino frames the art of creation simply by fixing what we have once destroyed. He actively uses his past and the concept of the passage of time with universality to heal his present and future.
 
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