The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation.
Using infrared black and white photography, the images shift, as you just saw, the greens become almost white and the blues a dramatic dark. The colors are not distorted, a different part of the spectrum is simply captured, it is another reality, it totally differs from the reality we know, that is why cameras and films have been always prepared to eliminate ultraviolet and infrared light, so that their results is the one that human eye sees, and that ́s what we change.
The brain takes thoughts and information from the senses and shapes them according to its understanding of the world. But brain works differently on certain substances like #LSD rewing the brain ́s clock to a time before it learned, that way you might experience altered perceptions. If your prior belief in that the sun is orage and your prior belief melts, then the sun may appear green.
A creative mind is the one that sees information and relates it to their experiences and existing knowledge in order to create. We wanted to create a film and a series of works of art that experiments with the concept of the senses, the shamanic idea of exploring other realities, finding new ways, the sensory exploration, a ritual catharsis experienced in the search of new ideas. The central interest for Joseph Beuys was transformation, the alchemy of one thing turning into another, the freedom of creation. And that was art for #beuys, the science of freedom. Joseph Beuys was one of our biggest inspirations in creating this project together with @nickfouquet. At #INFINITE, we explore the concept of creativity and explore the concept of breaking our preconceived ideas that mark our way of feeling and understanding the world.
Gewitter. Photograph intervened by the artists
Gewitter, 2022
Acrylic and scratch on fine art metallic paper with a pearlescent coating
Dimensions: 20.8 H x 15.7 W in.
Unframed
Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams, Penélope Cruz, Jennifer Lopez, Ewan McGregor, Lalisa Manoban, Adria Arjona, and Bruno Mars, among many others. Yet his focus goes beyond portraiture—what truly interests him is what remains when the image stops being literal and begins to emerge as a living object. His current body of work includes both new pieces and selected artworks from the artistic legacy of Hunter & Gatti, which he now manages. These are duly credited as “ created by Hunter & Gatti,” presented alongside his personal practice and establishing a dialogue between history, transformation, and contemporary gaze. His work has been exhibited in cities such as Barcelona, New York, and Miami, and reflects a visual practice grounded in experience, exploration, and ongoing evolution.
