This monumental installation print sets an elite conceptual standard, establishing itself as a premier example of contemporary fine art nude photography that reinterprets the unadorned human body as a pure, structural volume reacting to extreme physical stress. Developed as an interconnected sequence of eight self-taken frames for her landmark 2012 solo show at New York's Art Space Location One, the polyptych completely flattens and textures the active physical space. The horizontal and vertical layout tracks the intricate architecture of a long-durational breathing system, forcing a stark focus on the real, unvarnished strain of the back muscles, raw skin contours, and epidermal friction against synthetic plastic inflatable membranes.
 
The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gesture magnified by the use of sound emerging from the action of kissing and intensified by the working presence of the performer’s body. “The Kiss” (is a long durational performance), Portrait photography, a breathing system where the performer’s body becomes the intersection enabling the entire organism to work, reveals the intricate rhythm between lungs, fluids, and muscles while kissing.
 
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